The first comprehensive retrospective of the work of the American fashion designer Halston will be presented at the Nassau County Museum of Art in Roslyn Harbor from Saturday, March 25 through Sunday, July 9.
Sponsored by “H Halston exclusively at Lord & Taylor” and occupying the entire Museum, the exhibition Halston Style is organized by Guest Curator Lesley Frowick, Halston’s niece and confidant.
Frowick is the author of the deluxe Rizzoli publication, Halston: Inventing American Fashion, that serves as the exhibition catalogue.
Focusing on the life and art of Roy Halston Frowick, better known as the self-crafted name of distinction, Halston, this exhibition includes many never-before-seen objects from the designer’s personal archives.
Halston left these original materials in Frowick’s care, with the directive to use them to tell the story of the designer’s career and lifestyle.
The exhibition will include more than 60 Halston fashions, juxtaposed with photographs, artwork, illustrations and accessories, as well as film and video documentation.
Among the highlights of the exhibition are Halston’s iconic pillbox hat design, made famous by Jacqueline Kennedy in 1961, and also his innovative Ultrasuede shirt dress garment.
Masterful examples of the designer’s classic gown silhouettes are abundantly on view.
Galleries within the exhibition will focus on different milestones of Halston’s career, such as his early work within the elegant Hat Salon at Bergdorf Goodman in New York City.
Designs that used innovative fabrics – such as hand-painted silks, comfortable cashmeres and the newly-developed Ultrasuede – are complemented by working sketches drawn by Halston himself or his design assistant Steven Sprouse and the fashion illustrator Joe Eula.
Other sections within the exhibition are devoted to Halston’s collaborations with artistic contemporaries.
Elsa Peretti designed the classic Halston fragrance bottle and the elegant jewelry chosen by the designer to accessorize and accompany his garments.
The photographer Hiro produced much of the imagery employed to market, advertise and promote the Halston brand.
Halston designed numerous costumes for dances choreographed by the legendary Martha Graham.
Cosmetic ads, fabric designs and other surprises emerged from the designer’s close friendship and association with Pop artist Andy Warhol.
Halston designed for many celebrated American women, among them First Ladies Jacqueline Kennedy and Betty Ford.
He also was a favorite of several top actresses and performers, including Elizbeth Taylor and Lauren Bacall.
But most notable was his close association with Liza Minnelli.
Having designed the gown she wore when accepting the Oscar for Cabaret, he went on to design her costumes for film and stage, finally becoming Minnelli’s exclusive designer.
Halston’s life and style became the last word in glamour.
His personal appearance was captured by a generation of photographers, while his home and office surroundings conveyed discerning tastes in modern and contemporary art.
Halston and his celebrity companions were regular visitors to the infamous Studio 54 during its heyday from 1977 to 1979, when it was ground zero for the disco scene’s razzle-dazzle melding of music, nightlife and fashion.
With a deep affection for his country and sense of patriotism, Halston supported American institutions and businesses.
He was a trailblazer in commercial licensing endeavors, designing not only an affordable line of clothing for J.C. Penny, but also uniforms for the Girl Scouts and the U.S. Olympic team.
Special programs that accompany the exhibition include presentations by the curator Lesley Frowick, discussions and interviews with clients and professional associates of the designer, as well as film and video screenings documenting Halston’s contributions to the fashion industry.
The exhibition will also serve as inspiration for the museum’s family programs during the run of Halston Style.
For further information on programs that accompany the exhibition, please visit nassaumuseum.org/events beginning March 6.